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Initializing Irreversible Process

by Deceptionist

supported by
nathan breon
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nathan breon holy shit is that guitar played by a machine?! perfect blend of tech death and industrial. truly amazing shit! Favorite track: Industrivolutionaction.
Cosmic Sea
Cosmic Sea thumbnail
Cosmic Sea Awsome! Good job! More, please!
mangymutt
mangymutt thumbnail
mangymutt Mechanical execution and organic presentation become one. Refined and clean production along with a low gain guitar tone prevents any note from escaping unnoticed. Primitively savage, cold, and robotic, like a caveman beating something to death with a calculator. Favorite track: When Humans Began to be Machines.
Tweeker
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Tweeker Nice tech death, although it sounds like it was butchered up in the studio.
iamspoonbender
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iamspoonbender The perfect fusion of metal, and industrial. It will take a couple listens to 'get it'. Give this album a chance, you'll like it. Favorite track: Final Innovation/Automatic Time.
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about

Returning to Giuseppe Orlando’s Outersound Studios, DECEPTIONIST captured ten tracks which would become their debut album, Initializing Irreversible Process. The band utilized the talents of Stefano Franceschini on bass duties for the whole album, and brought in Enrico H. Di Lorenzo as guest vocalist on “Through The Veil,” both members of label mates Hideous Divinity. To the band, death metal is the most complete genre in metal; impulsive, feral, emotional, somehow primitive, yet so calculated, logical, experimental sometimes. The collective pushed heavily forward in the realms of technicality and speed, while simultaneously remaining loyal to our root elements: groove, brutality, catchiness. Their use of sampling blends seamlessly with harsh guitar riffs, the lyrical content dealing with the relationship between humans and machines in a not-too-distant future world where men and women will live only to serve artificial masters.

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released June 17, 2016

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Unique Leader Records

THE HOME OF HEAVY SINCE ‘99

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